The Paralyzed Duke’s Horse Called Him a Liar—Only I Could Hear It
Chapter 21
I froze with the bridle in my hands.
“Your grace,” I said carefully, “your horse is being informative.”
Rowan closed his eyes briefly. “He was asked to remain silent.”
“He says he is never asked correctly.”
Cinder snorted with tremendous force, and I heard the whole of his opinion, which was that humans had invented a great many ridiculous ceremonies and had neglected the only one that mattered, which was the one where everyone got carrots.
Rowan turned to me with colour high along his cheekbones. “This was meant to happen in the garden. In December. There is a bench. A heroic bench. I had a speech.”
“It is snowing on the bench, your grace.”
“I am aware. That is why we are in a stable.”
“I am holding a bridle.”
“You are always holding something. Last time it was a bucket.” He took a breath. Then he looked at me — not the cold grey guarded look of the first autumn, not the careful performance of the chair, but the face of a man who had decided to stop holding anything up at all — and lowered himself, carefully, painfully, taking his time about it, down onto one knee in the straw.
I moved at once to help him, and he held up one hand.
“Let me be dramatic,” he said. “Your horse says I am slow.”
“You are slow.”
“I am thorough.”
He is slow, Cinder confirmed. But he means well. Mostly. He still has not given me the carrot.
Rowan Thorne took a small box out of his coat and opened it, and inside was a ring — simple, a gold band set with a small green stone the colour of a spring field after rain.
My throat closed.
“That was Adeline’s,” I said.
“It was. Our mother left it to her, and she left it to me in her will, with a note that said, and I am quoting her exactly: Give this to a woman who tells the truth for a living, because you will never find one who does it for love.” He looked at the ring, and then at me. “She wrote that two years before she met you. I have carried this in my pocket for four months trying to decide whether I was inventing a destiny out of a coincidence, and I have decided that I do not care. I am not a poet and I am not a fool, and I know precisely what this is.”
“The colour of the meadow after rain,” I said.
“Yes. She said that too.” He held up the ring. “Wren Calloway. You heard the truth in this house when everyone else heard silence. You believed a horse before you believed a duke, a servant before you believed a cousin, and a wounded man before you believed his own performance of ruin. You have made me laugh at pain without denying it, and you have made my house sound alive again, and you have never once let me lie to you about how much walking hurt.” He took a breath. “I love you. I would be honoured, humbled, and frequently corrected if you would marry me.”
My eyes burned. I stood in the straw with a bridle in my hand and stared at him on one knee in his own stable.
“Frequently corrected,” I said.
“I am realistic.”
“You are the most stubborn man I have ever met.”
“That is not a no.”
“It is not a no.”
Say yes, said Cinder. And then carrots.
I knelt down in the straw in front of him — because he was on one knee, and I was not going to stand over him while he looked up at me like a penitent schoolboy — and I put the bridle on the floor between us and took his face in my hands.
“Yes, Rowan.”
The Duke of Ravensmoor looked at me as though a gate had opened in a field where he had not known there was a fence.
“Yes?”
“Yes. I consent. I love you, too. Though I reserve the right to call you a liar when necessary.”
He accepted that as fair, and as a bad decision with cheekbones, and he put the ring on my finger with hands that were not steady, and I kissed him, and his hand came up to my cheek, warm and careful and finally finished with waiting.
Then Cinder lowered his enormous head over both of our shoulders like a priest with no sense of boundaries and informed me that this was acceptable, that the carrots should now be produced, and that the ring was a poor bargain because it was not edible.
“He approves,” I said against Rowan’s mouth. “Good. Now: carrots.”
The wedding was in April, because Lady Ottoline declared that winter weddings made guests discuss chilblains and that romance deserved better.
The church filled with tenants, servants, curious neighbours, and at least three people who had come hoping that Cinder would object. He did not attend, because the Duke said, with real regret, that no horse, however remarkable, belonged in the aisle.
Cinder heard this from half an estate away, and his thought reached me through stone and field.
Coward.
I nearly laughed during my vows. Rowan heard the small sound and smiled.
“Bramble says nothing,” I whispered. “He is insulting you naturally. Then all is well.”
I wore a gown the colour of cream and green leaves, and a green ribbon tied in my hair — the same ribbon, washed and pressed, that a lady in a travelling cloak had tied there four summers before. Lady Ottoline wore feathers that caused three separate children to point at the sky. Toby Rudd cried openly and blamed hay dust. Empress sent formal complaints through the stable door about not being invited, and the constable — invited, as thanks for the docks business — ate two plates of cake and did not arrest anybody.
Afterward, before changing out of my wedding clothes, I insisted on going down to the stable, because there is no version of my life in which I walk past a horse on my wedding day.
Rowan came with me, leaning on his cane, and the two of us stood in front of the stallion in our finery like a pair of idiots, and Cinder inspected us both.
The liar looks acceptable, he decided. The carrot girl looks excellent. Marriage approved.
I translated this politely for the guests, who had followed us down the yard in a flood of ribbons and laughter.
“Cinder says his grace looks acceptable and that I look excellent.”
The yard erupted. Rowan bowed to the horse.
“High praise,” he said.
Then Cinder searched the Duke’s coat pocket with his nose, found the hidden peppermint, and chewed it with tremendous dignity while the whole of Ravensmoor Hall laughed at its master.
Years later, people still told the story badly.
They said the paralyzed duke rose from his chair because love healed him. They said a village girl tamed a savage horse. They said the stallion exposed a murderer at a tenants’ race by divine intervention, which gave the Reverend Mabb far too much confidence in his sermons for the rest of his career.
The truth was stranger and better than any of it.
Rowan had never been helpless, though he had been badly hurt. Cinder had never been savage, though he was rude, opinionated, and vain about his forehead. And I had never tamed him, because nobody tames honesty with hooves; I had simply listened to him at the right dangerous moment, and he had returned the favour by telling me the truth when everyone else in that house was busy being polite.
Ravensmoor changed, in the way that houses change when the people inside them stop lying. The stables became less afraid. The servants learned that the horse consultant might pause in a corridor and ask a horse outside the window whether the new footmen had stolen anything, and that it was always worth answering honestly.
Rowan learned to rest before his legs forced the issue, though he never learned it well. Lady Ottoline learned not to ask what animals thought of her hats unless she was prepared for artistic criticism. Mr. Prine was buried in the churchyard at the north gate with his name spelled correctly, which the Duke saw to personally, because he was that sort of man.
And Cinder remained impossible, which is the only thing in this world that has never once disappointed me.
One summer evening, near the end of our first year, Rowan and I stood at the paddock fence while the sun went down and turned the grass to gold. He leaned on his cane, shoulder against mine, and Cinder grazed nearby with one ear angled toward us in a way that meant he was listening and expected us to pretend he was not.
“Do you ever wish,” Rowan asked, “that you could not hear him?”
Cinder’s head came up at once.
Dangerous question. Answer with praise.
I smiled.
“Sometimes,” I said. “Mostly before breakfast.”
Rowan laughed. Cinder snorted and went back to the grass with the air of a creature who had been slandered and would be mentioning it later.
“But no,” I said, and took my husband’s hand. “If I had not heard him, I would have believed your tragic blanket. I would have brushed your horse, taken my wages, and gone back to Barrowfield in October, and you would still be sitting in that chair being pitied by a county that never deserved to know what you were doing with your legs on the north lane at midnight.”
“It was an excellent blanket,” said Rowan.
“It was a criminal blanket. A necessary, lying blanket.”
“It kept my knees warm.”
“It kept your secrets warm.” I looked up at him — at the eyes that had gone bright with the kind of happiness that still startled him on quiet days. “And you married me anyway.”
“I married you,” he said, “because you learned to stand, sit, laugh, limp, and tell the truth in that order, and because you have never once let me get away with anything.”
Then Cinder walked over and shoved his nose into Rowan’s pocket, because he was not finished with his evidence.
He still lies about peppermints.
I looked at my husband. Rowan looked guilty, the way a man looks guilty when he has been caught by a horse.
“Your grace,” I said. “Your horse has made an accusation.”
Rowan drew one peppermint from his pocket. Then another. Then a third.
“A duke must maintain reserves.”
“A duke must share evidence.”
Cinder took the first. I took the second. Rowan ate the third before either of us could object, and Cinder stared at him with the flat, wounded astonishment of a horse who has just watched the entire legal system fail in front of his eyes.
Liar, he said.
And this time, Rowan heard enough in the snort to understand it. He laughed so hard he had to lean on me, and I held him the way I had held him that first night under the moon in the training ring, when his secret had nearly fallen into the mud and a girl with a curry comb had decided, in the space of one breath, to keep it.
The sun set over Ravensmoor Hall. The horse grazed. The Duke laughed against my shoulder, and I — the village horse trainer who could hear every inconvenient truth a horse cared to offer — decided at last that love is not the absence of lies.
It is finding the one person, and occasionally the one horse, who makes the truth too funny to keep hidden.
The End
